Thursday, October 15, 2015
"Freitag" aber nicht Freitag
Today students have a "free day" to explore Berlin cultural sites and areas of their own choosing (and today is Thursday (Donnerstag) not Friday (Freitag)). We are meeting up at 6pm for a unique and highly anticipated culinary experience. Suffice it to say, the visual images you'd get from inside of the "dunkelrestaurant" are literally identical for all present. How is this possible? Answer: we ate in complete darkness and were served by visually-impaired and blind peoples.
Wednesday, October 14, 2015
Politics & Pergamon
We had a very fruitful sharing and discussion about our experience yesterday, our techno conversation at UdK, some further considerations of the students' upcoming composition project as well as our impressions of Berlin this far. Many are recording sound samples to include in their musical work and some are altering their ideas in light of what we've seen and done here. Despite the rain, we then ventured out to the Museuminsel (Museum island) where we saw many ancient artifacts, largely from Miletus, Babylon and Assur. Rebecca here found the most ancient of artifacts - the void.
Tower of Babel model
Goddess Athena
Assyrian gods flanking entry
And, randomly, a 5,000+ year old bowl
Tuesday, October 13, 2015
Musicmaking at Sachsenhausen Concentration Camp
As we can read here, both music was both a forced activity and free expression within the lives of prisoners at the forced-labor camp we will be visiting today. Consider these two perspectives from the above site.
"The SS made singing, like everything else they did, a mockery, a torment for the prisoners ... those who sang too softly or too loudly were beaten. The SS men always found a reason ... when in the evening we had to drag our dead and murdered comrades back into the camp, we had to sing. Hour after hour we had to, whether in the burning sun, freezing cold, or in snow or rain storms, on the roll call plaza we had to stand and sing of ... the girl with the dark brown eyes, the forest or the wood grouse. Meanwhile the dead and dying comrades lay next to us on a ripped up wool blanket or on the frozen or soggy ground."
"None of us had studied music. We were bound by the same fate and the common love of music and singing … daily we counted hundreds of dead. We froze and starved - yet evenings we sang and made music … we did not want to be martyrs. We wanted to survive, and bring fascist Germany to its knees, to somehow play a part in this."
"The SS made singing, like everything else they did, a mockery, a torment for the prisoners ... those who sang too softly or too loudly were beaten. The SS men always found a reason ... when in the evening we had to drag our dead and murdered comrades back into the camp, we had to sing. Hour after hour we had to, whether in the burning sun, freezing cold, or in snow or rain storms, on the roll call plaza we had to stand and sing of ... the girl with the dark brown eyes, the forest or the wood grouse. Meanwhile the dead and dying comrades lay next to us on a ripped up wool blanket or on the frozen or soggy ground."
"None of us had studied music. We were bound by the same fate and the common love of music and singing … daily we counted hundreds of dead. We froze and starved - yet evenings we sang and made music … we did not want to be martyrs. We wanted to survive, and bring fascist Germany to its knees, to somehow play a part in this."
Techno Studies Discussion at UdK
Dr. Matthias Pasdzierny at the Berlin Universität der Künste (University of the Arts) kindly and expertly spoke with us about the historiography and aesthetics of techno music in Berlin. Not only did we gain greater appreciation for how this live music is produced and how the DJ and dancers "co-create" together, we also learned the roles this scene and music play in reunification efforts within Berlin since the early 1990's.
Monday, October 12, 2015
Sunday, October 11, 2015
Intermission at Hinterm Horizont musical
Dramatizing the divide of the Berlin Wall in the mid-1980's amidst a love story involving Udo (Western rockstar) and Jessy (East girl from Pankow), this production is both campy and deeply political, making us wonder how contemporary Berliners consider this troubled history.
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